Crystal Card by Pieras Fitikides

This is a wonderful new utility device for making the spectators card appear in a very magical way. What is particularly cool about it is that it can be done without any clue to how it is possible. When I first received it without reading the instructions of course I didnt realise that the gimmick could be hidden. Once you understand that, then you really can go to town. There is no switching or additions and it all happens very cleanly in front of the spectator. There is no reset either, it is automatic.

With the large 24 page booklet that comes with this gimmick there are plenty of ideas to put you on the road to glory.

Effect: Crystal Card is a revolutionary idea based on a new principle. It can be used to perform a wide variety of surprisingly visual effects including:

• Crystal Card: Two cards thought of by two spectators are magically revealed on a piece of green crystal right before the very eyes of the audience!
• Past and Future: A card selected by a spectator materialises on the performers crystal. The performer claims that he saw the selected card through his crystal before the card was actually selected and proves it!
• Bizarre Revelation: The performer rests his palm over a green crystal a card, thought of by a member of the audience, magically appears on the crystal
• X-Ray Screen: A card is selected and returned to the deck which is then wrapped in a silk. A spectator looks at the wrapped deck through a crystal and sees the selected card!
• Supreme Exposure: A prediction mysteriously materialises on a sealed piece of crystal. A card previously selected by a member of the audience is turned face up. Its a match!
• Crosswise Illusion: A card selected by a member of the audience magically appears on a special crystal inserted crosswise in a deck of cards!
• Palm Reader: A card is selected and rubbed on a spectators palm. The spectator brings her palm over a green crystal and the selected card mysteriously appears on the crystal!

Invented, handcrafted and routined by Pieras Fitikides

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